I'm looking at these earliest water colors Still in his teens, Carter was trying to catch the atmosphere, the hills and hollows, the seasons. Some of them are quite good, a few blow me away. Truck worries, they can't take it in the shop until tomorrow, so I walked around used car lots down on Second Street. Looking at vehicles. Instructive, and boring, at the same time. Went to the pub for lunch, Shepherd"s Pie and a draft, then read Mary's letters for a couple of hours. In the afternoon I walked beneath the flood-wall and found a stump that was a perfect piece of post-modern sculpture. This one was large, wet and heavy. I only thought briefly about taking it home. How many stumps do you need, to make a point? Maybe there's more to it than that, maybe there's a connection between the way you feel and what happens. Of course there is. Despite all odds, when push comes to shove (it's always a bifurcation, listen to those blues songs), the balls of a brass monkey are indeed cold, whoever might make that examination. I seem to be within the bounds of control, Not acting out, or anything, but I didn't post last night, then remembered what had happened. I was reading Mary's letters, and she mentioned a painting I know, so I dug out the earliest Carter water colors, there was a logic involved, but it escapes me now. And I looked at them the rest of the evening. Noodling in art appreciation. Like I had an opinion, which of course I do, you can't handle this stuff and not have an opinion. Another red wall. This is difficult painting project: prep, tape, and first coat on the entry. It looks like shit. But it's only the first coat, and I know it will get better with additional layers. Take something through the bad into the better. Cool transition from one thing to another. I'm at the pub, later. having a beer, and the owners come in, and want me to sit sit at a table with them, talk about doing Shakespeare as a lark. We, actually, could do that.
Wednesday, February 15, 2012
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